Jewelers who attended SOFA/NY last year may have been aware of a brewing controversy: Ruudt Peters’ new “Anima” series bears an unmistakable resemblance to some of Stanley Lechtzin’s poured-wax-in-water/electroformed jewelry from about 1970 to 1980. I first saw the new Peters work in the “Schmuck 2010” catalogue, and I was shocked. I didn’t understand how an experienced professional like Peters could have produced a body of work that was so blatantly unoriginal. A week or so